Enter the caveman, David Carradine: He’s been a cowboy, a kung fu artist, a folk artist. Now he takes on Austin-shot ‘Homo Erectus’
Dec. 2, 2005, Austin American-Statesman
David Carradine has long skinny legs that are stretched out like bamboo poles, naked, knobby, porpoise-smooth. They are exposed from the ankle to way up the thigh, several unsettling inches past the tan line to scary areas that make one’s eyes avert in a violent spasm. He looks supremely relaxed and casual, sunk deep in a chair with those bare legs leveled at the floor, elbow propped on an arm rest to keep the cigarette in his fingers close to his faintly duckish lips.
Carradine is dressed as a caveman. Cave-people, according to the Discovery Channel, didn’t wear much apparel. Innocent of vanity, they sported spots and dashes of clothing — loin cloths, tattered shorts, shredded bikini tops, sometimes nothing at all. And so Carradine, former star of the indelible television series “Kung Fu,” in which he sometimes wore little more than a monk robe, is sparsely draped in the rags of primitive man. His shoes are ratty moccasins, his shirt random scraps of earth-tone felt. His pants: nonexistent.
“This is only half of it,” Carradine says with a swell of pride. “I throw fur on top of it all.”
He points to a heap of fake black fur on the floor of his actor’s trailer, which rests on the magnificently dusty moonscape of a limestone quarry in North Austin. Scenes from the movie “Homo Erectus” are being shot here, one of the film’s many locations, including Hamilton Pool and Enchanted Rock, that suggests prehistoric landscapes. (A limestone quarry? How very “Flintstones.”)
“And in the movie my hair is sticking straight up like this,” says Carradine, teasing out long, wild gray-blond strands to make a static-electric blast. “Out to here.”
What are you going to do when playing a caveman but go with it? Carradine seems to be having fun with the role of Mookoo, the blustering chief of his cave tribe. His son Ishbo, who is goading his species to evolve, is played by a Woody Allenish Adam Rifkin, the film’s writer and director. Talia Shire plays Carradine’s cave-wife and Ali Larter (“Legally Blonde”) plays Rifkin’s elusive dream girl. “Homo Erectus” is the third low-budget feature produced by the University of Texas Film Institute and its for-profit arm, Burnt Orange Productions.
Carradine’s last major role was the title villain in Quentin Tarantino’s martial-arts revenge opus “Kill Bill,” the success of which hurled the actor back into public view after a disappearance that seemed to have lasted decades. Actually, it did last decades. His most recent watchable film before “Kill Bill” was the Jesse James western “The Long Riders,” co-starring his brothers Keith and Robert. That was 1980.
“Playing in ‘Kill Bill’ helped,” Carradine says. “Up until then everyone was saying ‘Grasshopper.’ Now everyone says ‘Bill.'”
Climbing into Carradine’s trailer, one is swallowed in a rich fog from his English Ovals, fancy, filterless cigarettes he lights the way some people pop peanuts. He has the grainy rasp and paper-bag flesh of a smoker and the gruff pluck of someone turning 69 on Thursday.